Described here is Sanghyang Dedari, a ritual dance where it is believed a divine spirit temporarily descends to a village and reveals itself through the entranced dancers. Sanghyang is the title for a deified spirit and means “The Revered One” or “Holiness”; Dedari means “Angel”
With eyes closed, the girls rock back and forth above the incense until they fall down fully in trance.The attending women put flowered crowns upon their heads and lift them to the shoulders of male Detainers who carry them to the place where they are to dance. Set upon the grouna between the female choir and male chorus, the little dancers sway listlessly in a dreamy version of the Legong. Their movements coincide automatically although their eyes never open during the entire performance. When the chanting ceases, girls fall to the ground in a swoon. They are brought out of trance by the pemangku, who prays beside them and blesses them with holy water
The girls dancing as “Revered Angels” are always underage, for a virgin child is considered holy.There are other forms of the Sanghyang trance dance as well. In Sanghyang Jaran, an entranced boy (or priest) dances on a horse, jaran, represented by a hobbyhorse. He dances around a bonfire made from coconut husks. If the Sanghyang song leads him, he dances through the fire. Mountain villages near Kintamani perform the Sanghyang Deling, where puppets dance suspended on a string between two poles manipulated by children
Sanghyang dances developed from the essential religious function of maintaining the health and well-being of the village. They are performed to exorcise evil spirits that may be infesting the community in the form of sickness or death. The boys and girls selected to be Sanghyang dancers are highly regarded bythe community and are exempt from certain village responsibilities. The feats they perform while dancing are accepted as a medium of spiritua expression, since the dancer is thought to be possessed by a deity. The Sanghyang Dedari dancers have never had any dancing lessons In normal life, they cannot remember nor repeat the motions they enact while in trance. Nor can a Sanghyang Jaran dancer normally walk on fire.